Film to watch this weekend: François Truffaut of The 400 Blows takes youthful vigor

The 400 Blows by François Truffaut, starring Jean-Pierre Léaud, Albert Rémy and Claire Maurier in the lead roles, broadcasts to the Evil One.Many of them did not go to film school.

At home, we have Satyajit Ray and Mani Ratnam who have studied filmmaking. However, these filmmakers were so fond of cinema that they could not help but make their favorite movies. François Truffaut, a horror villain for the French New Wave movie, is one of the writers who changed the way he made films in his rebellious film career. Finding his way of making a film by criticizing the film, he lived in cinema until he became a man of it.

François Truffaut has given the world cinema a host of unique ways to tell a story. French New Wave is an important cultural organization in the history of cinema as it ignores all known filmmaking rules. The organization spawned a new genre of cinema, which continues to influence filmmakers to this day. Truffaut praises all that Hollywood and its contemporary filmmakers – Orson Welles and Alfred Hitchcock did. And you can see many Hollywood influences on Truffaut films.

Make no mistake, he was passionate about cinema but did not make slow films that tested your patience. You don’t need separate attention or high opinion to understand the complexity and stupidity of his films. His movies were easy on the eyes and mind. It also received the Truffaut award for Best Director in Cannes and the nomination for Best Original Screenplay Oscar.

Antoine’s dysfunctional family is the main reason behind his rejection of everything he is given. His careless father, his selfish mother, and the system failed to treat him like a child.

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They see him as a problem that can be solved if he just rolls around and plays dead like everyone else. And we are talking about Paris, the tower of freedom, liberty, love, and art. Among all the great monuments of the construction of the 1950s in Paris, we see poverty and pollution.

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“I want the film to express either the joy of making a cinema or the tragedy of making a cinema. I’m not interested in anything at all, ”Truffaut once said, and with The 400 Blows, he shows us both.